{"product_id":"fj-60","title":"Fretboard Journal #60","description":"\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eOn the cover: A D'Angelico guitar with quite a tale to share. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInside, Christopher Guest on acting, old Martins, and a life filled with guitars. Plus: the guitars of Tim Hardin; experimentalist Andy Pitcher, Atomic Music, Bad Religion’s Brian Baker and more.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSome highlights found in this issue’s 128 keepsake pages:\u003cbr\u003e\u003cbr\u003eMatt Bushlow hears the story of \u003cstrong\u003eDamion Hardin\u003c\/strong\u003e, son of 1960s folksinger Tim Hardin (“How Long Can We Hang On To a Dream”). Though his father passed away when he was just a teenager, Damion is busy honoring Tim’s legacy through his guitars, including a Gibson J-160, an unlabelled and utterly beguiling classical (pictured above), and an Ovation Balladeer.  \u003cbr\u003e\u003cbr\u003eExperimental music is seldom sensitive, but \u003cstrong\u003eAndy Pitcher\u003c\/strong\u003e is not your typical experimental guitarist. Cameron Knowler talks to the musician about his solo project, dot, an album that reflects on Pitcher’s first 30 years, loss and love. \u003cbr\u003e\u003cbr\u003eIn a world of cookie-cutter guitar stores, Maryland’s \u003cstrong\u003eAtomic Music\u003c\/strong\u003e stands out.  FJ contributor (and Atomic regular) Mark Finkelpearl talks to the store’s owners about its charming quirkiness, and massive inventory.\u003cbr\u003e\u003cbr\u003eJohn Drenning sits down with one of punk’s true guitar icons, Bad Religion’s \u003cstrong\u003eBrian Baker\u003c\/strong\u003e. Baker talks about his Les Paul Junior obsession, formative days in Minor Threat, Marshalls and more.  \u003cbr\u003e\u003cbr\u003eFretboard Journal Publisher Jason Verlinde sits down with \u003cstrong\u003eChristopher Guest\u003c\/strong\u003e, one of the funniest people in the world who also happens to be extremely serious about guitars. We talk Spinal Tap, his love for old Martins, his current gear obsessions and so much more.\u003cbr\u003e\u003cbr\u003eFamed archtop luthier \u003cstrong\u003eJohn Montleone\u003c\/strong\u003e pens the never-before-heard story of two consecutive John D’Angelico instruments currently in his possession. D’Angelico’s #2090 and #2091 were both built in the late summer of 1959 and more than a little pedigree. In fact, 2091 was the first D’Angelico that Monteleone ever saw (at the ripe old age of 12). It’s a deep dive into instrument history and inspiration.\u003cbr\u003e\u003cbr\u003eYou may not have know \u003cstrong\u003ePeter Nevins\u003c\/strong\u003e by name, but chances are you’ve seen this Portland, Oregon’s artist’s poster and album designs. A musician in his own right, Nevins has designed for Gillian Welch, Old Crow Medicine Show, John Prine and other Fretboard Journal favorites.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRoberto-Venn\u003c\/strong\u003e, the world’s most famous school for lutherie, recently celebrated their 50th anniversary through (what else?) a bunch of guitar builds. In this case, some of their most famous graduates of the Phoenix institution honored their alma mater with one-of-a-kind instruments. One of those grads, Jason Kostal, pens the story.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDylan Day\u003c\/strong\u003e and \u003cstrong\u003eHayden Pedigo\u003c\/strong\u003e are two of the most creative acoustic guitarists on the scene today. Though they approach the instrument in vastly different ways, they also happen to be phone buddies. The Fretboard Journal crashes one of their ongoing conversations to talk guitar, taste, Genesis (the band and the book), and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePlus: Apprenticing for Roger Sadowsky; reuniting with a lost Martin 000-18; Riverhorse on Big Tex; and so much more.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eEach 128-page ediition of the Fretboard Journal is printed in limited copies for our magazine's subscribers and select retailers. Advertising is limited and most issues sell out.  \u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow mailing to all subscribers. \u003c\/em\u003e\u003c\/p\u003e","brand":"The Fretboard Journal","offers":[{"title":"United States","offer_id":52475618656536,"sku":null,"price":25.95,"currency_code":"USD","in_stock":true},{"title":"Canada","offer_id":52475618689304,"sku":null,"price":32.95,"currency_code":"USD","in_stock":true},{"title":"International","offer_id":52475618722072,"sku":null,"price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1090\/6726\/files\/FJ60_COVER_01.png?v=1785813553","url":"https:\/\/shop.fretboardjournal.com\/products\/fj-60","provider":"The Fretboard Journal","version":"1.0","type":"link"}